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I am not sure whether I should laugh that no other theatre but the National could put on anything quite like Edward II, or cry. This great, big, unwieldy and utterly bewildering epic – made, it would appear, with no budgetary pressures whatsoever, at best a nodding acquaintance to Christopher Marlowe’s original work, and precious little talent – is the kind of production that simply could not happen in the commercial West End.
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